Run All Night from the Gunman

Yay! After not going to the movies for weeks, I’ve seen four movies in three days. I got to see the delightful revival of Rear Window with my wife, Cinderella with my girls, and a day by myself with Run All Night and The Gunman.

Yay for the return of the R-rated action thriller! It’s not that PG or PG-13 is bad but it often seems like PG-13 films are shoehorned into a tight box. The filmmakers are either constrained by how much they can put in or have to cut out to maintain that rating.

Run All Night

 

Run All Night (2015) – Rated R

Mobster and hit man Jimmy Conlon has one night to figure out where his loyalties lie: with his estranged son, Mike, whose life is in danger, or his longtime best friend, mob boss Shawn Maguire, who wants Mike to pay for the death of his own son.”

You wouldn’t know it from any of the trailers but Liam Neeson starts the movie as a burned out, alcoholic loser. The trailers, of course, highlight Neeson as a tough guy, just like every other one of his movies. The problem with the trailers is that they are fairly indistinguishable from each other.

Run All Night is not great but is miles better than the crapfest that was Taken 3. It is also better than The Gunman. It is very story involved a la The Grey and Walk Among the Tombstones but the script doesn’t quite measure up. Still there is an enjoyable time to be had.

The Gunman

 

The Gunman (2015) – Rated R

A sniper on a mercenary assassination team, kills the minister of mines of the Congo. Terrier’s successful kill shot forces him into hiding. Returning to the Congo years later, he becomes the target of a hit squad himself.

Way back in 2004, Pierre Morel made his directorial debut with the outrageous District B13. District 13 brought parkour to the big screen and the stunts were incredible. It is still an enjoyable romp and is available on instant Netflix so go watch it! It was remade in 2014 as Brick Mansions but skip that very dumbed down and shaky cammed version.

In 2008, Morel followed District 13 up with the original Taken. This was yet another wonderful action film and reinvented Liam Neeson as an action star. After that was the amusing but deeply flawed From Paris With Love. It failed to reignite Travolta’s career.

The Gunman is Morel’s fourth feature film in the directors seat. This one seems tailor-made to reinvent Sean Penn as an action star, though that does not work. Since Penn is restrained by Morel, Morel allows Javier Bardem to egregiously overact. Our love interest is Annie, played by Italian actress Jasmine Trinca.

Supporting them are Ray Winstone as Terrier (Penn)’s friend, Stanley and Idris Elba as an enigmatic Interpol agent named DuPont. The only other actor of note is Mark Rylance as Cox.

Unfortunately there is no real artistry on display here. The Gunman is just fine if you need an action fix but not anything more. It all seems a paint-by-numbers globetrotting, professional seeks revenge for betrayal setup. The cast is good but not well used. Elba only has a few minutes of screen time. Somebody get that man a good role.

Carlito’s Way – Brian De Palma week

Please accept my apologies for not updating over the past few days but we were part of the East Coast Blizzard. While 8-12 inches of snow won’t seem like much to Northerners, the Carolinas certainly aren’t prepared for it. There wasn’t any drama but my wife and I were trapped in house for three and a half days.

This is Brian De Palma week. Carlito’s Way is currently available on instant Netflix.

Carlito's Way

WATCH: Carlito’s Way (1993) – Rated R for strong violence, drug content, sexuality and language.

“Sprung from prison on a technicality, Carlito Brigante (Al Pacino) vows to use his unexpected second chance to his best advantage. But every time he tries to get out of the rackets, the bad guys pull him back in. Director Brian De Palma stamps his signature electric visual style onto this searing drama about the challenges of trying to go straight in a crooked world. Sean Penn, Viggo Mortensen and John Leguizamo co-star.”

“A favor gonna kill you faster than a bullet”

Brian De Palma starts this film off wonderfully. The opening sequence is shot in black & white except for a color poster offering an Escape to Paradise, the treasure chest at the end of the rainbow throughout this film. The nightclub featured in the film is El Paraiso. There are many other touches of paradise being just out of reach for everyone.

De Palma is a wonderfully visual director. Watch all the wonderful touches as a simple drug deal early in the film starts to fall apart – a door is slightly ajar, some people’s reactions are just slightly off, the music on the jukebox is turned up a little louder. The suspense is palpable – most other directors would have played it as a sudden act of violence but De Palma lets you watch it unravel.

Al Pacino gives a wonderful performance here as Carlito Brigante. He manages to be almost as magnetic as he was in Scarface and yet is also restrained – something that Tony Montana could never be accused of. He also does a voice-over through much of the film that works quite well as a narrative trick.

Most of the other actors are a little over the top, especially Sean Penn, but it works for this film as De Palma draws in broad strokes. John Leguizamo is his usual flamboyant self. The usually solid Luis Guzman is the big surprise here. He wisely underplays to everyone and comes out in the end as the best of the supporting actors. If all you know of Viggo Mortensen is that he played Aragorn, you’ll be in for a shock when you see him in this film.

This is a very stylish gangster film. As with most modern gangster films, there is quite a bit of language. The F bomb is dropped 139 times according to IMDB. Violence is strong but not actually pervasive. I highly recommend this film as long as language does not offend you.

People Watch: Marc Antony aka Mr. Jennifer Lopez has a role in the Latin Band. Also Adrain Pasdar (Nathan Petrelli on Heroes) has a small role late in the film as Frankie.