Creepshow

Okay while normally I never miss cable, especially since I never run out of things to watch, this week I would have liked to have seen Mick Garris’ adaptation of Bag of Bones. Still it will be on Netflix eventually and Netflix does have plenty of Stephen King to go around.

Creepshow (1982) – Rated R

“Based on the E.C. comic books of the 1950s, this horror anthology includes radioactive meteorites, a creepy Father’s Day party, a monster in a crate and thousands of cockroaches. Venerable horror director George Romero (Night of the Living Dead) and screenwriter Stephen King are responsible for the creepfest, which features performances by Leslie Nielsen, Hal Holbrook, Ted Danson, Adrienne Barbeau, Ed Harris, E.G. Marshall and even King himself.”

“This is going to be extremely painful Mr. Verrill!”

I love portmanteau (anthology) films even if far too many of them have the same wraparound story (Omigosh they were all dead to begin with! I never would have guessed that!). Some of them are direct adaptations of EC Comics (Tales from the Crypt, Vault of Horror) but none of them captured the actual feel of those comics until Creepshow.

Obviously much of the credit has to go to the wonderful tongue-in-cheek screenplay from author Stephen King. He captures the spirit of the Tales from the Crypt comics much better than the Amicus films or the HBO TV series ever did. The stories are all fun with a good punchline that may have you groaning.

Unlike his brief cameos in other films, King actually carries one of the segments of the film (“The Lonesome Death of Jordy Verrill”). His acting is atrocious but fits in well with his segment. Joe Hill, Stephen King’s son, plays the young boy in the wraparound segments.

George Romero does an excellent job of directing here. He gets great over-the-top performances from a good cast of actors. Hal Holbrook and Leslie Nielsen are particularly good here. Much of the film is done as comic book panels with bright primary colors and backgrounds. Because of the nature of the portmanteau film, none of the stories overstays its welcome.

Romero regular Tom Savini handled the special makeup effects and this film features some of his best work. Savini also has a cameo as one of the garbagemen.

Two final notes: If you don’t enjoy tongue-in-cheek or campy material then you are unlikely to enjoy this film. If cockroaches bother you unduly then do not watch the last segment of this film – you have been warned! Even on repeat viewings, I often skip the last segment. It’s great but boy does it give me the heebie-jeebies.

 

The Poseidon Adventure – Don’t Get on That Boat! week

This week is Don’t Get on That Boat! week. The Poseidon Adventure is currently available on instant Netflix.

WARNING: This movie is only available through January 31

The Poseidon Adventure

WATCH: The Poseidon Adventure (1972) – Rated PG.

“As the luxury liner Poseidon charts its course on New Year’s Eve, disaster strikes when an undersea earthquake causes a titanic tidal wave and capsizes the vessel, leaving just 10 survivors. Led by a no-nonsense reverend (Gene Hackman), the group must maneuver through airshafts, electrical cables and a burning engine room to the boat’s hull, which is their lone chance for escape. The film scored an Oscar for Best Song (“The Morning After”).”

“The Andrea Doria stayed afloat 10 hours before she sank.”

The granddaddy of the disaster genre, The Poseidon Adventure still holds up pretty well after 38 years. In spite of the above quote, the circumstances behind the disaster are clearly patterned on Titanic lore. The Captain is urged, cajoled, and threatened to move his ship at top speed in spite of his better judgment by the owners.

One of the perks of the disaster genre is the cornucopia of stars parading through the film. The real star here is Gene Hackman who appears to take the material entirely too seriously but is a treat nonetheless. While he could hold a film by himself, he does have ample support.

Shelley Winters takes her role very seriously as well. She was nominated for a Best Supporting Actress Oscar for her juicy role. Jack Albertson plays her loving husband.

Ernest Borgnine is Hackman’s counterpart, the opposite that a buddy cop movie would demand – in fact Borgnine plays a detective. Stella Stevens is his wife, a former prostitute.

Rounding out the cast are Red Buttons, Roddy McDowall, Arthur O’Connell, Carol Lynley and a pre-Nancy Drew Pamela Sue Martin. Carol Lynley sings the Oscar-winning song, “The Morning After” somewhat ironically before disaster strikes.

Characters are well-established prior to the rogue wave. After that the film has a number of wonderful action setpieces as the survivors try to work their way through the ship. Director Ronald Neame and reportedly producer Irwin Allen make the epic trek very exciting. An Oscar Special Achievement award was given for visual effects.

In addition to the aforementioned Oscar nods, The Poseidon Adventure was nominated for many others. Best Art Direction – Set Decoration seems an obvious one for the wonderful upside-down sets. It was also nominated for Best Cinematography, Best Costume Design, Best Film Editing, Best Music, and Best Sound.

In the film our main group (headed for the engine room) briefly encounters a group led by the Doctor heading for the bow. Believe it or not a poorly-regarded sequel was made in 1979, “Beyond the Poseidon Adventure” starring Michael Caine. This film deals, at least partially, with that bow group that is only glimpsed in the original.

I highly recommend this journey into “Hell, Upside Down” (the film’s tag line) but Netflix has it listed as only available until 1/31.

Wolfgang Petersen remade the original as “Poseidon” in 2006 while a quickly-made TV movie “The Poseidon Adventure” premiered in 2005.

People Watch: Long before he spoofed himself in Airplane, Leslie Nielsen (Don’t call me Shirley!) played serious roles. Here he is the Captain of the doomed ship. Irwin Allen’s wife, Sheila, appears as a nurse.