Desperado – South of the Border week

This is South of the Border week. We will be featuring movies taking place in Mexico. Desperado is currently available on instant Netflix.

WATCH: Desperado (1995) – Rated R for strong bloody violence, a strong sex sequence and language.

“This south-of-the-border action flick picks up where the indie hit El Mariachi left off. Seedy drug lord Bucho (Joaquim de Almeida) is responsible for killing the girlfriend of El Mariachi (Antonio Banderas) and for injuring the musician to a point where he can no longer play the guitar. Seeking revenge, he goes in search of Bucho, and a showdown ensues between the rivals — but not before El Mariachi meets the lovely Carolina (Salma Hayek).”

“Bless me Father, for I have just killed quite a few men.”

Robert Rodriguez again writes, directs, produces, and edits for Desperado. Taking on so many tasks allows him to make films for a lot less.

Here he had $7 million to work with. This allowed him to work with a number of name actors and use a lot more real guns than in El Mariachi (which used squirt guns for many of the scenes).

Desperado is nominally a sequel to El Mariachi though it rehashes much of the plot and themes from the original (a la Evil Dead II).

The second bar fight is absolutely hilarious and is obviously very heavily inspired by John Woo. It is a very elaborate setpiece with a wonderful standoff. Rodriguez keeps his action frantic without being confusing (something that has become all too common these days).

Antonio Banderas is very charismatic as the Mariachi. This is the best role I have seen him in. He even does all of his own guitar work including “Cancion Del Mariachi” at the beginning of the film.

Salma Hayek is gorgeous and fun as Carolina. There is a hilarious scene  where she crosses the street and two cars behind her crash because they are watching her. I like it because she holds her own and is not just the love interest.

Robert Rodriguez stated that when they filmed the sex montage sequence between Salma Hayek and Antonio Banderas, everyone on the crew showed up.

Joaquim de Almeida plays our villain Bucho. This is essentially the same role Moco (Peter Marquardt) played in the original. Bucho is a boss much like Moco and dresses all in white just like Moco. Joaquim replaced Raul Julia, who had to drop out due to health reasons.

The supporting cast is absolutely marvelous.

Cheech Marin and Quentin Tarantino have a lot of fun with their humorous roles.

Steve Buscemi plays the conscience of the Mariachi. The role is so tailored to him that the character is actually called Buscemi. Originally he was to have been the pick-up guy but a new role was written for him when Tarantino decided to cameo.

Danny Trejo plays a knife-wielding assassin, Navajas. This is a very similar character to Azul in El Mariachi. Danny is finally going to headline a movie. Robert Rodriguez has made a feature-length movie out of his fake Grindhouse trailer, Machete and it is currently in post-production.

Carlos Gallardo returns from El Mariachi. This time he plays Campa, a friend to El Mariachi.

I highly recommend this quintessential action movie unless gore bothers you. If you enjoy this and El Mariachi then stick the final film in the trilogy, Once Upon a Time in Mexico, in your DVD queue.

People Watch: Actually not so much a “people” watch as a prop watch. The crotch gun that Carolina finds in the guitar case is sadly never used here. It is however used the following year in From Dusk Til Dawn (by Tom Savini no less).

El Mariachi – South of the Border week

This is South of the Border week. We will be featuring movies taking place in Mexico. El Mariachi is currently available on instant Netflix.

WATCH: El Mariachi (1992) – Rated R for adult content, adult language, and graphic violence.

“When guitar player El Mariachi (Carlos Gallardo) arrives in a small Mexican town, drug lord Moco (Peter Marquardt) mistakes him for Azul (Reinol Martinez), an assassin who carries a trademark guitar case full of guns. Now he must elude Mocos henchmen, who plan to shoot first and ask questions later. First-time indie filmmaker Robert Rodriguez famously made the wildly popular gritty crime drama on a $7,000 budget.”

“I came across a turtle. I realized we were both taking our time getting to where we were going but what I did not know was that my time was running out.”

This is the first feature film by one of my favorite directors, Robert Rodriguez. Prior to this he had made a cute short, Bedhead, that can be viewed on Youtube.

When you are working on a $7,000 budget, you have to wear a lot of hats. Robert Rodriguez is not only the director, producer and writer of El Mariachi but also the cinematographer, film editor, sound editor, music editor, camera operator and special effects man.

Carlos Gallardo is not only the star (the titular Mariachi) but also producer, unit production manager, dolly grip, and special effects man.

Rodriguez makes excellent use of several rundown locations, particularly the jail sequence in the beginning of the film. I also liked some of the flavor like the man chopping ice with a machete.

The Professionals (yesterday) seemed a bit of a cheat as none of the heroes were Mexican, the lead villain was not played by a Mexican and it was not filmed in Mexico. El Mariachi not only takes place and is shot in Mexico but almost everyone working on the film is Mexican.

This is the dubbed version of the film. Robert Rodriguez stated that Columbia spent more on the dubbing than he did on the entire film.

The acting is good but not great. The charm is in the story itself and the rapid-fire pace that Rodriguez keeps up.

I highly recommend this fun low-budget film. The counting gag alone makes the movie. For that matter so does the bathtub confrontation.

People Watch: Carlos Gallardo appears in the semi-remake/semi-sequel Desperado as Campo.

From Dusk Till Dawn

Prior to sending up exploitation films with Grindhouse, Robert Rodriguez and Quentin Tarantino filmed a vampire exploitation film called From Dusk Till Dawn. This movie is available on instant Netflix. The two sequels are not available but you aren’t missing much as Rodriguez didn’t direct the sequels and Tarantino didn’t write them.

From Dusk Till Dawn

WATCH: From Dusk Till Dawn (1996) – “Robbers-on-the-lam Seth (George Clooney) and Richard Gecko (Quentin Tarantino) take an ex-preacher (Harvey Keitel) and his kids hostage. On a race to the Mexican border, they rendezvous at a cantina, not knowing the owners and clientele are bloodthirsty vampires. That’s when director Robert Rodriguez (Desperado) abruptly switches from hostage drama to tongue-in-cheek, vampiric melee, creating a blood-stained ode to 1960s Mexican horror movies.”

This is a rude, crude and violent tale as might be expected from Tarantino and Rodriguez. Quentin Tarantino overacts as always but it comes off well here as do George Clooney and Harvey Keitel in more restrained performances. It takes a good long while for the vampires to show up but once they do, it’s a non-stop thrill ride. There are small, fun over-the-top performances from the lovely Salma Hayek, Danny Trejo, make-up wizard Tom Savini, and Fred “The Hammer” Williamson. The special effects are lavish and over-the-top and they take a page from the Evil Dead book and use green blood to help with the ratings board.

People watchers: look for cameos by John Saxon and makeup artists Greg Nicotero and Howard Berger and a small role by Michael Parks as Earl McGraw (a role he repeats in Kill Bill and both parts of Grindhouse).