Category Archives: Robert Downey Jr.

Iron Man 2 – Marvel Superhero week

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This is Marvel Superhero week – why? Because even though I am almost 50, I still love comic books. Iron Man 2 is currently available on instant Netflix.

WATCH: Iron Man 2 (2010) – Rated PG-13 for sequences of intense sci-fi action and violence, and some language.

Wealthy inventor Tony Stark (Robert Downey Jr.) — aka Iron Man — resists calls by the American government to hand over his technology. Meanwhile, Ivan Vanko (Mickey Rourke) has constructed his own miniaturized arc reactor, causing all kinds of problems for our superhero. Sam Rockwell, Gwyneth Paltrow, Scarlett Johansson, Don Cheadle and Samuel L. Jackson co-star in director Jon Favreaus sequel based on Marvel comic book characters.

I loved the first Iron Man movie. I loved the handling (and updating) of the origin story as well as leaving enough room for the emergence of a good villain to quickly be trounced but mostly I loved it as a wonderful vehicle for Robert Downey Jr. and his quirky acting style.

Robert Downey Jr. does get to shine here as well but more attention is paid to the other characters (as compared to Iron Man which was basically a one-man show). Gwyneth Paltrow and Jon Favreau return as Pepper Potts and Happy Hogan and are given more substantial roles. Paul Bettany again voices Jarvis.

For some reason Terence Howard was not asked back to play Lt. Col. James Rhodes. Instead he was replaced by Don Cheadle (who I have loved since he played Mouse in The Devil in a Blue Dress). The first line Don utters is “Look I am here, its me, deal with it, lets move on” which is a very humorous response to the whole replacement fiasco.

To more closely tie-in The Avengers event in May 2012, Samuel L. Jackson reprises his role as Nick Fury as does Clark Gregg as Agent Coulson. Scarlett Johansson plays a kick-butt Natalie Rushman AKA Natalia Romanoff AKA…

Everyone performs well and it is nice to see so many Marvel heroes onscreen (Iron Man, War Machine, Nick Fury, Black Widow) and allusions to several others (Black Panther, Captain America, Thor). The post-credit sequence remains intact.

Having said that, director Jon Favreau has tried to pack way too much into the movie much like Sam Raimi did on Spider-Man 3 (though it does not experience anywhere near that level of failure). The main plot deals with Whiplash trying to take revenge on Tony Stark but there are separate subplots involving a Senate sub-committee, SHIELD, Rhodey, blood poisoning, Justin Hammer, Natalie Rushman, and more.

I suspect that Marvel pushed Favreau to do too much with this film. The result is that while the film is quite enjoyable, it seems to come across more as a series of requisite scenes than as a whole story. While disjointed, it is still very shiny and fun.

People Watch: Look for the standard Stan Lee cameo as well as Christiane Amanpour, Larry Ellison and DJ AM Adam Goldstein playing themselves.

Shakespeare week – Richard III

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This is Shakespeare week on Instant Netflix. Another inventive adaptation of the Bard is Richard III by Richard Loncraine. Richard III is currently available on instant Netflix.

WATCH: Richard III (1995) – Rated R for violence and sexuality.

“Ian McKellen stars in the title role in this visually inventive adaptation of Shakespeares classic drama, which is set in 1930s England after a civil war has torn the country apart and left the people under fascist rule. Richard plots against his brother, Edward (John Wood), in his quest to usurp the throne, and will stop at nothing in pursuit of his goal. The film received Oscar nominations for art direction and costume design.”

“I that am rudely stamped, deformed, unfinished, sent before my time into this breathing world…”

For all the inventiveness of Romeo + Juliet, Richard Loncraine got there a year earlier with Richard III. Richard III begins with a teletype machine hammering out a message about the war and segues into a 1930s style war room and from there… well lets just say that that would be a visual spoiler only a few minutes into the film. Seriously though even if you do not choose to watch the film, watching the first three minutes will give you a wonderful idea of its chutzpah.

Star Ian McKellan co-wrote the screenplay with director Richard Loncraine. While they have rewritten Shakespeare, fear not – The House of York speech and much of the original dialogue remains intact.

Ian McKellan is absolutely stunning as Richard. This should come as no surprise to those who have seen him steal every scene as Magneto in the first three X-Men movies or again every scene as Gandalf in The Lord of the Rings trilogy. This is practically a one-man show (as Richard III often is) and McKellan is riveting, repeatedly breaking the fourth wall to speak directly to the camera.

McKellan is ably supported by John Wood as King Edward IV, Jim Carter as Hastings, and Nigel Hawthorne as Clarence. Jim Broadbent is very impressive as Buckingham. Robert Downey Jr. acquits himself well as Rivers but his recent performances have been more nuanced than this.

On the distaff side, Annette Bening makes quite a good American Queen Elizabeth but Kristin Scott Thomas has the juicier role as the cursed Lady Anne, a year before Kristin earned an Oscar nomination for The English Patient. She even gets to spit on Ian. It is of course a given that Maggie Smith is compelling as the Duchess of York.

While it did not win any Oscars, it was nominated for both Best Costume Design (Shuna Harwood) and Best Art Direction – Set Decoration (Tony Burrough). It lost both to Restoration. The set design, costuming and even the choice of setting in Richard III are fabulous as each descends into darkness and severity as Richard comes ever closer to his goal of the throne.

While there are a few niggling plot holes, due to Shakespeare and streamlining in equal measure, the film overall is quite wonderful and definitely a showcase for Ian McKellan.

People Watch: Look for Black Adder ninny Tim McInnerny as a very serious Catesby and The Wire star Dominic West (James McNulty) in his feature film debut as the Earl of Richmond.