Exorcist II – Children’s Week

In celebration of the birth of our littlest angel, I thought I’d feature movies about angelic tykes. What’s that you say? There aren’t any? Hrrrrm. I guess we’ll feature the opposite then.

The Exorcist 2

PASS: Exorcist II: The Heretic (1977) – Rated R

“Intent on discovering why Regan (Linda Blair) was possessed by the demon Pazuzu, Father Lamont (Richard Burton) travels to Africa in search of another who was once possessed by the same demon — and learns that Pazuzu traverses the world via locusts. But when Father Lamont returns to New York, he discovers Pazuzu has reached Regan again through Dr. Gene Tuskin’s (Louise Fletcher) hypnosis machine.”

“No! Once the wings have brushed you, you’re mine forever!”

“If Pazuzu comes for you, I will spit a leopard.”

Yes, those are actual quotes from the movie. No, they don’t make much more sense in context. Unlike The Exorcist, the script is not written by William Peter Blatty nor is this an adaptation of his book.

This film was not the travesty I’d been led to believe but neither is it very good. The first film was an excellent blend of psychology and religion. Apparently they felt that the only way to top that was to throw in parapsychology and faith healing as well. It is not a good fit.

Richard Burton plays Father Lamont, an amalgam of Father Karras (priest questioning his path and faith) and Father Merrin (learned exorcist) from the first film. Linda Blair plays a mostly grown-up Regan who now apparently has healing powers. Ellen Burstyn as the mom is nowhere to be found and is replaced by Louise Fletcher who gets an upgrade from her Nurse Ratched status by playing Doctor Tuskin here.

The real problem with this film is that John Boorman (normally a good director) clearly didn’t understand what made the first film work so well. He throws in scenes from an exotic land seemingly because of the dig scenes in the original. The locust tie-in could have been interesting but it is merely dumped into the pot with faith/psychic healing and machines that allow merged dream/memory states.

It is best to pretend that this movie doesn’t exist. Exorcist III written and directed by author William Peter Blatty is a good thriller (though not on the original’s level of course) and should be considered the real Exorcist sequel. Sadly it is not available on instant Netflix.

People Watch: James Earl Jones plays Kokumo and Ned Beatty appears as Edwards but the real surprise here is Paul (Casablanca) Henreid is the Cardinal. Sadly this was his last film.

Excalibur

Netflix currently has Excalibur available on instant play.

Excalibur

WATCH: Excalibur (1981) – Rated R

“Visionary director John Boorman serves up a lush interpretation of Thomas Malory’s classic novel Le Morte d’Arthur. Boorman weaves a rich tapestry that includes humble squire Arthur pulling the sword Excalibur from the stone; the Round Table’s righteous birth and ultimate decline; Guenevere and Lancelot’s adultery; the changing balance of power between crafty magician Merlin and wicked sorceress Morgana; and the valiant quest for the Holy Grail.”

While I love this film, I do feel it should be called King Arthur’s Greatest Hits. The film moves swiftly from section to section of the Arthurian mythos. It really needs a well-funded miniseries to do it justice or perhaps a multi-film series a la Peter Jackson’s Lord of the Rings trilogy. Thankfully as an adult fantasy, Excalibur is cheerfully unabashedly R-rated. This was back before all the bean-counters insisted that everything be rated PG-13 (witness the emasculation of Conan as he moves from Barbarian to Destroyer or John McClane not being able to use his Yippie-Kay-Yay quote).

The scenery, shot mostly in Ireland, is gorgeous. Showing the land growing more and more physically beautiful as Arthur is in his prime and more and more bleak after Lancelot’s betrayal is handled wonderfully by Boorman. There is an especially beautiful waterfall scene during Lancelot’s introduction. The Lady in the Lake scenes are marvelous as are any scenes with Merlin. The green backlighting of most forest shots gives everything an eerie lush glow. Set design and costuming are wonderful as well though an early scene of a knight in full armor having sex with a woman just looks terribly painful and detracts from the purpose of the scene.

John Boorman’s presents a triple-tiered cast here. The leads Nigel Terry (Arthur), Cherie Lunghi (Guinevere), and Nicholas Clay (Lancelot) are all serviceable in their parts but seem a bit plain. The supporting actors are wonderful especially Nicol Williamson as Merlin and Helen Mirren as Morgana and feature very early performances from famous actors (unknown at the time). The third-tier of the cast is Boorman’s own family. Boorman’s son Charley plays boy Mordred and his daughter Katrine plays Igrayne (how do you direct your daughter during a nude scene?).

Almost everything in this film works well. The action sequences are rousing. Orff’s Carmina Burana is an inspired choice of music for this film and is used more than once in it. All aspects of this film that should be beautiful are beautiful and those that should be bleak are bleak. This is probably the lushest fantasy film prior to The Lord of the Rings trilogy and is highly recommended.

People Watch: Wow huge before they were stars here – check out Patrick Stewart as Leondegrance, Liam Neeson as Gawain and Gabrial Byrne as Uther Pendragon.