Exodus – Gods and Kings

I went to see Exodus: Gods and Kings in the theater recently



Exodus: Gods and KingsĀ (2014) – Rated PG-13

The defiant leader Moses rises up against the Egyptian Pharaoh Ramses, setting 600,000 slaves on a monumental journey of escape from Egypt and its terrifying cycle of deadly plagues.”

Follow me and you will be free. Stay and you will perish.” – Moses (doesn’t this sound just like the classic Terminator line, “Come with me if you want to live”?)

I love Ridley Scott. He makes three kinds of movies: classics, absolutely fascinating missteps, and the occasional forgettable film. His classics are Alien (spawning five sequels and a prequel), Blade Runner (an incredible adaptation of film noir sensibilities to a science fiction setting), Black Hawk Down (still the best movie ever made about modern post-WW2 combat and a true story to boot), and Thelma & Louise (still a feminist hoot).

Unfortunately, Exodus falls in the forgettable category. It is not that Exodus is bad but it does not gel very well at all. Scott tries to ground everything in realism, which is an interesting approach for a tale full of miracles. Moses’ visions are certainly open to interpretation in the movie.

Part of the reason the movie doesn’t gel well is the need to cram too many ideas into two hours and twenty minutes of film. The showpiece, the parting of the Red Sea and the crossing, is given plenty of time to breathe. The special effects are wonderful and the scene is very well-handled but it takes a large chunk out of the running time. The plagues are all jumbled together into what practically amounts to a montage sequence.

The movie comes across as a mixture of Exodus highlights together with what are supposed to be personal moments but the personal moments don’t really work. The characters are not very fleshed out and some of the roles are poorly cast, particularly Sigourney Weaver (who I normally like). On the other hand I suppose I can’t complain about casting when The Ten Commandments had Vincent Price and Edward G. Robinson as Egyptian overseers.

First, I have a bone to pick with two very stupid moments in Exodus. One of the moments has a group of Hebrews trying to light a fire. They lay a line of flammable liquid and then strike tinder to some straw and touch the burning straw to the liquid. This would be all well and good but at least three of the Hebrews are carrying LIT torches.

The second is a shot of the Sphinx without a nose. There are several main theories as to when the Sphinx lost its nose. There is a hoary old chestnut about Napoleon’s artillery gunners shooting the nose off. Weather and gradual erosion may have taken it. There are also several other martial candidates who may have defaced the monument as there is quite a bit of evidence that the damage existed prior to Napoleon’s time. However all of the theories agree that the damage occurred between 1200 and 1801.

I am glad I got to see Exodus on the big screen, especially the parting of the Red Sea, but there was no emotional investment and I doubt I would revisit this film again.

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