While instant Netflix is a goldmine if you like Connery or Moore as Bond, you are completely out of luck if you prefer Daniel Craig or Pierce Brosnan. Also missing is the screwball 60s comedy Casino Royale. Still there are a few more Bonds for me to cover.
George Lazenby takes over the role of Agent 007 for what many consider to be the finest Bond film ever made. Bond tracks archnemesis Ernst Blofeld (Telly Savalas) to a mountaintop retreat where he’s training an army of beautiful but lethal women. Along the way, Bond falls for Italian contessa Tracy Draco (Diana Rigg) — and marries her in order to get closer to Blofeld. Meanwhile, he locates Blofeld in the Alps and embarks on a classic ski chase.
This one is better than many give it credit. Unfortunately what sinks it is the casting. George Lazenby is a cipher as Bond and shows little charisma and Telly Savalas makes the worst of the Blofelds. Diana Rigg is quite good as Tracy Draco and is thankfully treated as more than the arm candy that some of the Bond girls end up as.
The Living Daylights (1987) – Rated PG
Timothy Dalton makes his suave and lethal debut as superagent James Bond in this turbo-charged action-adventure. This time, Bond’s charged with protecting a Soviet general (Jeroen Krabbe) from a beautiful sniper (Maryam d’Abo). But after being used as a pawn in a fake defector scheme, Agent 007 must trek across the world to find the escaped general and stop a terrifying weapons conspiracy that may be linked to the Soviet military high command.
Licence to Kill (1989) – Rated PG-13
James Bond (Timothy Dalton) resigns from the Secret Service after a friend in the CIA (along with his new wife) is brutally murdered by drug lord Franz Sanchez (Robert Davi). With a score to settle, Bond partners up with pilot Pam Bouvier (Carey Lowell) and Sanchez’s mistress (Talisa Soto). While avoiding the British government, Bond races across land, air and water in a whirlwind of action and suspense.
Timothy Dalton was not bad as Bond. He jettisoned the tongue-in-cheek approach of Roger Moore to bring back some of the Bond toughness but I am afraid that he comes across as the successor to George Lazenby. They tried him a couple times and then rebooted with Pierce Brosnan.
Casino Royale (1954)
Having gambled away a vast sum of his country’s funds, a diabolical Soviet spy (Peter Lorre) tries to recoup his losses through a high-stakes game of baccarat, but secret agent James Bond (Barry Nelson) enters the competition to foil him in this 1954 teleplay. Intended as a pilot for a weekly TV series that never materialized, this first screen adaptation of a James Bond novel finds 007 portrayed as an American.
Casino Royale (1954 – not the 1967 comedy or the 2006 reboot) is quite an oddity. It showcases many of the limitations of 1950s television. I’ve always enjoyed Peter Lorre from his scary debut as the serial killer in “M” up through his humorous AIP turns in The Raven and Comedy of Terrors (both 1963) but this is not one of his best roles.
There is not much to recommend this film except as the first appearance of James Bond and that it is less than an hour long. Still if you are curious, instant Netflix offers it up.