Obsession – Brian De Palma week

Okay here are some very late postings from last week due to the holidays. This is Brian De Palma week. Obsession is currently available on instant Netflix.

Obsession

WATCH: Obsession (1973) – Rated PG

“While vacationing in Italy, Michael Courtland (Cliff Robinson) spots a mysterious woman (Genevive Bujold) bearing an eerie resemblance to his late wife — who, along with his daughter, was killed 15 years earlier. Blinded by grief, Michael pursues the beautiful doppelganger, but winning her heart turns out to be a dubious prize. Brian De Palma helmed this unabashed homage to director Alfred Hitchcock’s classic thriller Vertigo.”

Up until he made Scarface in 1983, almost all of Brian De Palma’s movies come off as homages to or extensions of Alfred Hitchcock’s work. Obsession is certainly no exception. It bears more than a passing resemblance to Hitchcock’s Vertigo.

In addition to directing, De Palma also wrote the story with Paul Schrader who wrote the screenplay. Strangely, Schrader eschews his usual focus on the seedy side of life for an old-fashioned if somewhat creepy mystery.

The story does build slowly but the payoff is quite worth it. An odd casting decision late in the film (to explain would be a spoiler) actually works quite well. A lot of De Palma’s camera angles and shot compositions are quite impressive.

Oddly Netflix did not spell either actors name correctly in their description. It is Cliff Robertson, not Robinson, who capably plays the male lead. That is Spider-Man’s Uncle Ben to those of you that don’t watch older movies. Genevieve Bujold wonderfully plays dual roles here as wife and mystery woman.

For the music, Brian De Palma wisely turned to Hitchcock veteran Bernard Herrmann. Obsession was nominated for an Oscar for Herrmann’s score. While not Herrmann’s best, it is quite haunting and lyrical as befits the tone of this film.

This is a very good mystery but is slow to get going despite starting with a kidnapping. The third act is wonderful and I highly recommend this film. One caveat: For some bizarre reason, instant Netflix’s transfer of this film ends abruptly with no credits so one is left wondering if that is really where the film ended.

People Watch: Watch for a much younger and blond (?!) John Lithgow as Michael Courtland’s southern-fried friend LaSalle.